Students learned practical technical skills, including basic video editing and audio production processes. Beginning an Oral History Project The Samuel Proctor Oral History Program offers workshops in oral history practice, methodology and fieldwork for community groups, academic institutions, and other organizations interested in beginning oral history projects. Introduction to Oral History from Dr.
Is Perfect the Enemy of Good enough? If you are not currently comfortable with current audio, video, or computer technologies, take the time to learn.
Attend workshops, read manuals, and practice. Learn how to record, whether audio or video, the best signal possible. You do not need expensive equipment but you do need to understand and know how to use your equipment. Digital technology is amazing, however, it can also be very precarious.
Understand how to best care for the digital object you have just created throughout the collecting, curating and disseminating phases of your project. If you do not have the expertise, partner with someone who does.
Do you have enough Digital Storage? Digital recording creates large digital files.
One hour of high-resolution audio can be 2 gigabytes. One hour of high definition digital video can be gigabytes per hour. Be prepared to store whatever you collect and make sure that you have redundancy.
Make sure you have a storage plan prior to beginning the project. Even if you partner with an archive, you may need to store your interviews locally before you transfer the material to the archive.
Make sure this is an adequate and stable environment. See the next question. If you do not have archival expertise, I highly recommend you partner with an archival institution who understands the intricacies of digital preservation of audio and video materials.
It is complex and expensive. Digital objects must be carefully curated as an ongoing process.
If you do partner with an archive, design your project so that it fits in with their workflows and protocols. Find out if the archive you will be working with has a specific release form that you should be using. This will simplify the process if addressed form the outset.The New York Public Library's Community Oral History Project is an initiative taking place at NYPL branches that aims to document, preserve, and celebrate the rich history of the city's unique neighborhoods by collecting the stories of people who have experienced it firsthand.
The Oral History Project, established in under the leadership of Joyce Hill Stoner with the support of the Board of Directors of the Foundation of the American Institute for Conservation (FAIC), led to the creation of an archive of transcripts of interviews with conservators, conservation scientists, and related professionals.
Their oral history project Memory of Nation was created in and interviews are archived online for user access. As of January , the project has more than published witness accounts in several languages, with more than 24, pictures. Designing an Oral History Project: Initial Questions to Ask Yourself by Doug Boyd.
It is a great feeling when you commit yourself, your organization or your community to an oral history project.
It is a great privilege to record someone’s life story and a great responsibility to care for that story in a preservation environment. The Samuel Proctor Oral History Program, one of the premiere oral history programs in the United States, houses over oral history interviews within the African American History Project (AAHP).
Join us in preparing for the unveiling of this collection, which will take place in Pugh Hall on March 21, Planning an Oral History Project | Interviewing Tips.
There are many ways to document and preserve families histories. One approach concentrates on the examination of public records, such as census records, church records, wills, and deeds.